Mobile tracking tool reviews iPhone 11 Pro
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Best in the market! Simply awesome. More iPhone 11 Pro News. Popular Mobiles. Every few years, Apple totally rewrites the book on iPhone design. The transition from the 3GS to the 4 saw the company embracing a more angular aesthetic that I still miss, while the move from the 5S to the 6 marked a return to a friendlier, rounder look. This year's shift isn't quite as dramatic, but there are still plenty of changes to discuss. For one, these new Pros are slightly thicker than the models they replace, though I don't think many of you would notice.
They're both marginally thinner than the iPhone 11 , in case you were curious. Apple also added a new color variant this time around: midnight green. As you've probably noticed in these photos, though, it might be more appropriate to call it "sort-of green. Anywhere else, the finish looks more like a slate gray -- that's not a bad thing, but it made photographing the thing a nightmare.
Apart from the colors, the biggest changes can be found on the Pros' backs. They're now clad in a single piece of milled glass with a matte finish that covers everything except the Apple logo and the phones' three cameras.
I'm a fan of this design for a few reasons: For one, it gives the Pro and Pro Max a more distinctive feel compared with the mid-range iPhone They're much less likely to show off greasy fingerprints, which -- as a slob -- I'm very grateful for. Apple also suggests that this new finish makes the Pros less prone to slippage, and that seems to be true. Throwing on one of Apple's new clear cases wouldn't hurt, though. I'm the sort of person who doesn't think twice about leaving my phones perched precariously on uneven tables and the arms of couches.
Needless to say, my things clatter to the ground a lot. It's hardly a scientific observation, but neither of the new Pros slid around as much as my iPhone XS typically does. Apple also says that it used the "most durable glass in a smartphone" when building the Pros, which is a hard claim to test without deliberately trying to ruin hardware I don't own.
I will say, though, I have dropped the Pro and Pro Max a few times onto our hard office floor out of sheer clumsiness, and neither has cracked. That's not to say they're pristine: As durable as Apple claims this glass is, the screens covered in it have picked up a few nicks from being slid into schmutz-filled pockets and tossed into backpacks. The other notable change to the iPhone Pro's design is its trio of cameras, which I'll dissect in greater detail later on. I mention it now, though, because the tradeoff for getting all these cameras is the squircle-shaped glass hump surrounding them.
It's not hard to see why Apple had to do something like this — had it left out the hump, the three cameras would've jutted out pretty significantly. That probably wouldn't be great for stability when the iPhone Pro is laying flat on a surface, and indeed, the Pros don't wobble as much as the XS models do.
Since Apple didn't officially comment on why it wanted the hump, though, I can only speculate. In any case, we're stuck with it. Remember when I made that crack about the fact that some iPhone Pro's enhancements were so subtle they were easy to miss?
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You should — it was just a few paragraphs ago. The smaller Pro measures 5. For the tape, these updated screens are exactly the same size and resolution as the ones we got in the XS series last year. If you were hoping for a Note style redesign ushering in bigger screens and smaller bezels, you'll be disappointed. You'd expect displays with such grandiose names to pack some noticeable improvements, but, you'd be wrong. The screens Apple used here are beautiful — I just wouldn't say they're noticeably better than the ones we already had.
This arguably becomes less of an issue when you're using True Tone, a feature that dynamically changes your screen's temperature depending on the level of ambient light around you.
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Still, when doing direct photo comparisons between the XS and the Pro, I often found myself preferring the way the older screens reproduced colors. According to Apple, one of the major benefits of these Super Retina XDR displays is improved brightness — indoors, it tops out at nits compared to the mids you'd get out of an iPhone XS , and it maxes out at 1, nits when you're watching HDR videos. That might be true, but again, good luck trying to spot the difference in real life. To properly test things, I locked myself in a dark room for several hours jumping between different 4K HDR movies downloaded from the iTunes Store.
I'd have done the same in YouTube since I spend a lot of time there, but for some reason, the app running on the Pro never offered the HDR video options it did when running on the XS Max. The Pros' screens were, in fact, a bit brighter at times when the situation called for it, but I don't think you'd notice the difference unless you had the two phones sitting side by side. It probably also goes without saying that these Pro screens look significantly better than the Liquid Retina display used in the standard iPhone 11 — they're sharper and more vivid, and they're capable of the deep blacks that make iOS 13's dark mode really pop.
It's possible that the value of Apple's Super Retina XDR display tech will become more apparent in time, but for now, at least, they're great screens — just not game-changing ones.
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It's also worth pointing out that Apple finally got rid of 3D Touch, the pressure-sensing screen technology it's been pushing since the days of the iPhone 6S. Now, I'll admit it: I actually found 3D Touch really helpful, if for no other reason than it made moving my cursor around easier after I inevitably typo'd in an email.
You can still do things like access shortcuts to specific actions inside an app by long-pressing its homescreen icon, just like you could on the iPhone XR. This "haptic touch" approach isn't nearly as good as 3D Touch was, but since hardly anyone ever seemed to use it, the omission had to happen eventually.
Don't let the name fool you: You don't need to be a pro of any sort to use these new phones. If you've picked up an iPhone since the X launched two years ago, you'll know almost exactly what to expect. I say "almost" because a lot of what's new about the experience here is thanks to the iOS 13 update, a substantial bit of software I'll review more thoroughly once I'm done with all these dang phones. There are a couple of neat things worth highlighting here, though: iOS's dark mode is finally here, and it looks great on the iPhone 11 Pros' OLED screens.
Apple Maps has received some serious improvements, and I've been using it a lot as I drive around California.
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In the old days, this would've driven me crazy, but it's actually pretty great now. The best part: When you're using Apple Maps navigation through CarPlay, Siri will tell you to make turns "after the next light. Even selecting and editing text like this review is easier now, thanks to a handful of new multitouch gestures. I wouldn't say my experience with iOS 13 on the Pros has been flawless, though. Sometimes when I'd try to turn on the Pro's flashlight from the lock screen, the on-screen toggle changed appearance to indicate it worked, even though the LED around back never actually turned on.
Also, certain apps, like Instagram and Prisma, don't correctly respect the bounds of the display.